Compare Prices for Books at literaryfiction.co.uk

$18.96 USD
Shipping Cost: 3.99
The fifth in the "Literary Cities" series, Literary Houston gathers together historical and contemporary writing about this Texas city that everyone loves to hate. Rather than organize the pieces chronologically, Editor David Theis has assembled works according to themes such as biography and memoir; visitors; the city itself; events; poetry; and fiction. From Cabeza de Vaca’s early experiences to the Enron debacle, Theis presents Houston in a new, critical light. After the Battle of San Jacinto, perhaps no one but the Allen brothers, land speculators from New York, could have imagined a city growing on the forlorn banks of Buffalo Bayou. But in what was the city’s first, but certainly not last, work of fiction, they sold their vision of a great city growing in a place that "Nature appears to have Designated… for the future Government. It is handsome and beautifully elevated, salubrious and well watered." Well, Houston is well watered. Undeterred by the mosquitoes and the general swampiness of the land, Houston grew immediately and attracted such pen-in-hand nineteenth-century visitors as Frederick Law Olmstead and Andrew Sweet. The city has been the subject of sometimes appalled, sometimes thrilled commentary by passsers-through ever since; such vistors as H.L. Mencken, Jan Morris, Stanley Crouch, Norman Mailer, Ada Louise Huxtable, and even Simone de Beauvoir have reported on what they found. But it’s in the stories of Houstonians themselves (even the temporary Houstonians) that the city’s reason for being best comes into focus. It’s been a city of driven, ambitious people who often made an early mark here and moved on: Howard Hughes; Barbara Jordan; Walter Cronkite; the two Albert Guerards, father and son; and musicians like Lightnin’ Hopkins, Willie Nelson, and Townes Van Zandt, to name a few. Important writers have grown up here: Donald Barthelme, Vassar Miller, Rick Bass. Other authors, like prose writers Larry McMurtry, Antonya Nelson, Mary Gaitskill, Phillip Lopate, Rosellen Brown, and Max Apple, and poets Tony Hoagland, Edward Hirsch, and Mark Doty came here to study, teach, and write. The city has fostered a burgeoning writing community outside the university. Lorenzo Thomas, Rich Levy, Daniel Rifenburgh and numerous others have left their marks on a city that defies easy description.
Stock Availability: in-stock
Condition: New
SKU: 0875654401

$142.82 USD
Shipping Cost: 3.99
Music is commonly felt to offer a valued experience, yet to put that experience into words is no easy task. Rather than view verbal representations of music as somehow secondary to the music itself, "Literary Music" argues that it is in such representations that our understanding of music and its meanings is constituted and explored. Focusing on recent fictional and theoretical texts, Stephen Benson proposes literature, narrative fiction in particular, as a singular form of musical performance. "Literary Music" concentrates not only on song and opera, those forms in which words and music overtly confront one another, but also on a small number of recurring ideas around which the literary and the musical interact, including voice, narrative, performance, and silence. The book considers a wide range of literary and theoretical texts, including those of Blanchot and Bakhtin, Kazuo Ishiguro, Vikram Seth, David Malouf and J.M. Coetzee. The musical forms discussed range from opera to the string quartet, together with individual works by Elgar, Strauss and Michael Berkeley. As such, "Literary Music" offers an informed interdisciplinary approach to the study of literature and music that participates in the lively theoretical debate on the status of meaning in music.
Stock Availability: in-stock
Condition: New
SKU: 0875654401